Who said less is a bore

IA is a global firm of architects, designers, strategists, and specialists. We focus exclusively on environments through the lens of interior architecture—a radical idea in , when IA was founded.

We are highly connected agents of change, committed to creativity, innovation, growth, and community. For a variety of reasons, lighting fixtures are especially prone to supply chain disruptions. With the advent of LEDs, lighting is now squarely a tech industry, dependent on a steady supply of chips and other high-tech components similar to consumer electronics and the auto industry, which has seen entire plants shut down due to electronics shortages.

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This website uses Google Analytics to collect anonymous information such as the number of visitors to the site, and the most popular pages. We also rely on ActiveCampaign to measure the effectiveness of our email communications. Undaunated, Venturi began put his ideas into his practice. His first important building, completed in the early s, was the Vanna Venturi House, which he designed for his mother in Philadelphia. It is recognisable as a traditional house, but instead of connecting the roof above the front door, Venturi left the gable open at the top.

He painted the exterior a pale green because he was told no house should be painted green. An interior staircase is wide at the bottom, then narrows towards the top, as the public living space is left behind for the private bedrooms above.

The house was featured on a US postage stamp in Venturi was hardly snobbish about his work and often took on humble assignments, designing fire houses, retirement homes and warehouses. As his reputation grew and his views became more mainstream, his commissions became more prestigious.

He later designed campus buildings for Harvard, Yale and his alma mater, Princeton University, and created a celebrated addition to the Oberlin College art museum in Ohio. In , he completed two ambitious projects — an addition to the National Gallery in London, known as the Sainsbury Wing, and a new art museum in Seattle. Mehamed Ojero Professional. Who said the quote Less is more? Ludwig Mies Van Der Rohe. Buba Acacio Explainer.

WHO said more is more? It's said by the painter Andrea del Sarto who was a real person , in Robert Browning's poem by that name. Valter Fale Explainer. Who said God is in the details? The idiom, " God is in the detail" has been attributed to a number of different individuals, most notably to German-born architect Ludwig Mies van der Rohe — by The New York Times in Mies's obituary; however, it is generally accepted not to have originated with him.

Arfang Bensar Explainer. What does the saying less is more mean? The phrase less is more means that having just the essential things is better than having way too much of superfluous things. It allows you to focus on what matters. Rajeev Ruthers Pundit. Is less is more a paradox? Here, he spotlights 10 significant structures from the book that come in all shapes, sizes and colours.

Named after the anti-minimalist maxim coined by American architect Robert Venturi , Less is a Bore is a global survey of over buildings that exhibit "postmodern architecture in all its forms". It was curated by Hopkins for publisher Phaidon as a celebration of the movement that, despite being one of the 20th century's most controversial styles, is experiencing newfound popularity.

Postmodernist architecture emerged in the s, and thrived from the s through to the s. Less is a Bore features photos of buildings ranging from the movement's most famous, through to lesser known 21st century structures and manifestations in Asia and South America.

Weaved in between are a number quotes that reference postmodern culture, made by architects, designers and artists including musician David Bowie and Andy Warhol. According to Hopkins, the publication coincides with the recent rise of postmodernism's popularity, which has seen the return of ornate designs and expressive forms throughout architecture and design.

However, unlike the recent revival of brutalism, Hopkins argues that this resurgence goes beyond aesthetics and fashion and demonstrates ambition and changing times.